INFRAMUNDO: A fantasy story through a music album
Authorship
C.V.C.G.
Audiovisual Communcation Degree (3rd Ed.)
C.V.C.G.
Audiovisual Communcation Degree (3rd Ed.)
Defense date
02.06.2026 11:00
02.06.2026 11:00
Summary
Inframundo is a project that was born within the framework of my Final Project for my Audiovisual Degre. It consisted of the composition and production of five songs that constitute a conceptual album, as well as the development of a plot that unites them and a narrative and visual concept. To contextualize the work, I carried out theoretical research in which I investigated about topics such as the evolution of the population's listening habits, the situation of the recorded music market at a global, national and regional level, the variety of musical album formats in convergence with other arts, like concept album, rock opera and visual album, explaining some terms and concepts that support this artistic convergence and visual and narrative influences, with special attention to Tim Burton's cinema. The lyrics of the tracks tell the story of Emma, a girl who, after a traumatic and unjust murder, descends to hell. There she will meet various fantastic creatures who will accompany her in her new non-life.
Inframundo is a project that was born within the framework of my Final Project for my Audiovisual Degre. It consisted of the composition and production of five songs that constitute a conceptual album, as well as the development of a plot that unites them and a narrative and visual concept. To contextualize the work, I carried out theoretical research in which I investigated about topics such as the evolution of the population's listening habits, the situation of the recorded music market at a global, national and regional level, the variety of musical album formats in convergence with other arts, like concept album, rock opera and visual album, explaining some terms and concepts that support this artistic convergence and visual and narrative influences, with special attention to Tim Burton's cinema. The lyrics of the tracks tell the story of Emma, a girl who, after a traumatic and unjust murder, descends to hell. There she will meet various fantastic creatures who will accompany her in her new non-life.
Direction
FERNANDEZ LOMBAO, TANIA (Tutorships)
FERNANDEZ LOMBAO, TANIA (Tutorships)
Court
Lopez Gomez, Antia Maria (Chairman)
DOMINGUEZ SEREN, ELOY (Secretary)
Rodríguez Castro, Marta (Member)
Lopez Gomez, Antia Maria (Chairman)
DOMINGUEZ SEREN, ELOY (Secretary)
Rodríguez Castro, Marta (Member)
Pícaras: physical artist’s book project
Authorship
C.F.L.
Audiovisual Communcation Degree (3rd Ed.)
C.F.L.
Audiovisual Communcation Degree (3rd Ed.)
Defense date
02.09.2026 10:30
02.09.2026 10:30
Summary
Pícaras is a physical artist’s book project articulated around social sciences research methods and the collection of oral testimonies from two women born in the 1940s in the coastal town of Foz (Lugo). The project reconstructs the collective memory of a generation of women shaped by a rural and maritime context that intervened at different scales throughout their life trajectories , using biographical narration, analog photography, and editorial design. The project is based on an understanding of memory as a shared process in which bodies function as archives of time. In this sense, the artist’s book operates not only as a medium but also as a methodological and expressive tool, allowing experimentation with materials, narrative structures and reading rhythms, and encouraging a contemplative approach in contrast to the immediacy of digital formats. From a poetic and political perspective, the project highlights oral tradition, female companionship and aging processes as territories of memory, while advocating artisanal production and self-publishing as forms of cultural resistance and knowledge transmission.
Pícaras is a physical artist’s book project articulated around social sciences research methods and the collection of oral testimonies from two women born in the 1940s in the coastal town of Foz (Lugo). The project reconstructs the collective memory of a generation of women shaped by a rural and maritime context that intervened at different scales throughout their life trajectories , using biographical narration, analog photography, and editorial design. The project is based on an understanding of memory as a shared process in which bodies function as archives of time. In this sense, the artist’s book operates not only as a medium but also as a methodological and expressive tool, allowing experimentation with materials, narrative structures and reading rhythms, and encouraging a contemplative approach in contrast to the immediacy of digital formats. From a poetic and political perspective, the project highlights oral tradition, female companionship and aging processes as territories of memory, while advocating artisanal production and self-publishing as forms of cultural resistance and knowledge transmission.
Direction
Neira Cruz, Xose Antonio (Tutorships)
Neira Cruz, Xose Antonio (Tutorships)
Court
Neira Cruz, Xose Antonio (Student’s tutor)
Neira Cruz, Xose Antonio (Student’s tutor)
rueiros: a documentary essay on inhabiting spaces
Authorship
C.G.M.
Audiovisual Communcation Degree (3rd Ed.)
C.G.M.
Audiovisual Communcation Degree (3rd Ed.)
Defense date
02.06.2026 11:00
02.06.2026 11:00
Summary
rueiros is an autobiographical documentary medium-length film that reflects on the relationship between the individual and the spaces they inhabit. The project is set in rural Galicia and takes the towns of Corme and Camariñas as its main locations, places closely linked to the author’s family history. The need to revisit the ancestral homes of both sides of the family serves as a means to address issues such as rural abandonment, the loss of collective memory, and (dis)connection with one’s origins through interviews and fragments drawn from the family video archive. This paper contextualizes the documentary’s creative process, from its initial conception to the final edit, analyzing the different stages of work (pre-production, production, and post-production), the methodology used, and the creative decisions made throughout the process.
rueiros is an autobiographical documentary medium-length film that reflects on the relationship between the individual and the spaces they inhabit. The project is set in rural Galicia and takes the towns of Corme and Camariñas as its main locations, places closely linked to the author’s family history. The need to revisit the ancestral homes of both sides of the family serves as a means to address issues such as rural abandonment, the loss of collective memory, and (dis)connection with one’s origins through interviews and fragments drawn from the family video archive. This paper contextualizes the documentary’s creative process, from its initial conception to the final edit, analyzing the different stages of work (pre-production, production, and post-production), the methodology used, and the creative decisions made throughout the process.
Direction
CASTELLO MAYO, ENRIQUE (Tutorships)
CASTELLO MAYO, ENRIQUE (Tutorships)
Court
Lopez Gomez, Antia Maria (Chairman)
DOMINGUEZ SEREN, ELOY (Secretary)
Rodríguez Castro, Marta (Member)
Lopez Gomez, Antia Maria (Chairman)
DOMINGUEZ SEREN, ELOY (Secretary)
Rodríguez Castro, Marta (Member)
Coup d'état of 1936 and the fall of the city of Ferrol
Authorship
L.D.L.I.V.
Grado en Periodismo (3ªed)
L.D.L.I.V.
Grado en Periodismo (3ªed)
Defense date
02.02.2026 11:00
02.02.2026 11:00
Summary
This work analyses the coup d'état of July 1936 in Ferrol from a historical perspective, aimed at a general audience with a journalistic tone that combines academic rigour and accessibility. The main objective is to chronologically reconstruct the events of 20, 21 and 22 July, debunking the local myth that ‘there was no war in Ferrol’ and highlighting the Republican resistance to the military uprising. Primary sources (municipal and naval archives of Ferrol, digital newspaper libraries such as Galiciana) and secondary sources (historiography by authors such as Viñas, Preston, Villares and Suárez) are used, with biographies of key figures such as Quintanilla, Santamaría and Azarola as threads. The results highlight the speed of the coup's victory due to military coordination, immediate repression and the reorganisation of civil and military power, which consolidated Franco's regime in the city.
This work analyses the coup d'état of July 1936 in Ferrol from a historical perspective, aimed at a general audience with a journalistic tone that combines academic rigour and accessibility. The main objective is to chronologically reconstruct the events of 20, 21 and 22 July, debunking the local myth that ‘there was no war in Ferrol’ and highlighting the Republican resistance to the military uprising. Primary sources (municipal and naval archives of Ferrol, digital newspaper libraries such as Galiciana) and secondary sources (historiography by authors such as Viñas, Preston, Villares and Suárez) are used, with biographies of key figures such as Quintanilla, Santamaría and Azarola as threads. The results highlight the speed of the coup's victory due to military coordination, immediate repression and the reorganisation of civil and military power, which consolidated Franco's regime in the city.
Direction
RICO BOQUETE, EDUARDO (Tutorships)
RICO BOQUETE, EDUARDO (Tutorships)
Court
RICO BOQUETE, EDUARDO (Student’s tutor)
RICO BOQUETE, EDUARDO (Student’s tutor)
Momfluencers
Authorship
F.M.G.
Bachelor of Journalism
F.M.G.
Bachelor of Journalism
Defense date
02.16.2026 10:00
02.16.2026 10:00
Summary
This work explores the phenomenon of sharenting, which refers to the practice of sharing images and information about minors on social media, especially by influencers. Using a mixed-methodology (quantitative and qualitative), the study examines how such exposure affects audience engagement on Instagram. Data was collected from eight Spanish influencers over four selected weeks in 2024, comparing interaction levels in 136 posts featuring children versus those without. Additionally, an interview with a clinical psychologist provides insight into the emotional and psychological impact of sharenting. Results show that posts with children generate, on average, 23% more interactions. However, the study also identifies significant concerns related to children's privacy, consent, and emotional wellbeing. The findings suggest that although sharenting may enhance visibility, it raises important ethical questions that should not be overlooked.
This work explores the phenomenon of sharenting, which refers to the practice of sharing images and information about minors on social media, especially by influencers. Using a mixed-methodology (quantitative and qualitative), the study examines how such exposure affects audience engagement on Instagram. Data was collected from eight Spanish influencers over four selected weeks in 2024, comparing interaction levels in 136 posts featuring children versus those without. Additionally, an interview with a clinical psychologist provides insight into the emotional and psychological impact of sharenting. Results show that posts with children generate, on average, 23% more interactions. However, the study also identifies significant concerns related to children's privacy, consent, and emotional wellbeing. The findings suggest that although sharenting may enhance visibility, it raises important ethical questions that should not be overlooked.
Direction
SIXTO GARCIA, JOSE (Tutorships)
SIXTO GARCIA, JOSE (Tutorships)
Court
SIXTO GARCIA, JOSE (Student’s tutor)
SIXTO GARCIA, JOSE (Student’s tutor)
Study and/or creation of documentary film or documentary photography project
Authorship
M.R.V.
Audiovisual Communcation Degree (3rd Ed.)
M.R.V.
Audiovisual Communcation Degree (3rd Ed.)
Defense date
02.06.2026 11:00
02.06.2026 11:00
Summary
This report presents a study of contemporary ecological-social documentary cinema to create an independent, semi-professional documentary film about the rejection of the Gama Project from Altri. The submission is the follow-up of the course of the Ulla River through the testimonies of eight people who live in some of the riverside villages, with the aim of showing the different perspectives of social life in Galicia in relation to the river and the unfavorable future of some of the jobs that would be affected by the possible implementation of the project. This paper addresses the production process that was carried out to make the film, with a subsequent analysis of the results and a critical reflection on the development of the process, taking into account the decisions made and the technical shortcomings that had to be addressed, as well as the final result.
This report presents a study of contemporary ecological-social documentary cinema to create an independent, semi-professional documentary film about the rejection of the Gama Project from Altri. The submission is the follow-up of the course of the Ulla River through the testimonies of eight people who live in some of the riverside villages, with the aim of showing the different perspectives of social life in Galicia in relation to the river and the unfavorable future of some of the jobs that would be affected by the possible implementation of the project. This paper addresses the production process that was carried out to make the film, with a subsequent analysis of the results and a critical reflection on the development of the process, taking into account the decisions made and the technical shortcomings that had to be addressed, as well as the final result.
Direction
BARREIRO GONZALEZ, MARIA SOLIÑA (Tutorships)
BARREIRO GONZALEZ, MARIA SOLIÑA (Tutorships)
Court
BARREIRO GONZALEZ, MARIA SOLIÑA (Student’s tutor)
BARREIRO GONZALEZ, MARIA SOLIÑA (Student’s tutor)
Study and/or creation of a documentary film or documentary photography project
Authorship
N.R.R.
Audiovisual Communcation Degree (3rd Ed.)
N.R.R.
Audiovisual Communcation Degree (3rd Ed.)
Defense date
02.06.2026 11:00
02.06.2026 11:00
Summary
This report presents a study of contemporary ecological-social documentary cinema to create an independent, semi-professional documentary film about the rejection of the Gama Project from Altri. The submission is the follow-up of the course of the Ulla River through the testimonies of eight people who live in some of the riverside villages, with the aim of showing the different perspectives of social life in Galicia in relation to the river and the unfavorable future of some of the jobs that would be affected by the possible implementation of the project. This paper addresses the production process that was carried out to make the film, with a subsequent analysis of the results and a critical reflection on the development of the process, taking into account the decisions made and the technical shortcomings that had to be addressed, as well as the final result.
This report presents a study of contemporary ecological-social documentary cinema to create an independent, semi-professional documentary film about the rejection of the Gama Project from Altri. The submission is the follow-up of the course of the Ulla River through the testimonies of eight people who live in some of the riverside villages, with the aim of showing the different perspectives of social life in Galicia in relation to the river and the unfavorable future of some of the jobs that would be affected by the possible implementation of the project. This paper addresses the production process that was carried out to make the film, with a subsequent analysis of the results and a critical reflection on the development of the process, taking into account the decisions made and the technical shortcomings that had to be addressed, as well as the final result.
Direction
BARREIRO GONZALEZ, MARIA SOLIÑA (Tutorships)
BARREIRO GONZALEZ, MARIA SOLIÑA (Tutorships)
Court
BARREIRO GONZALEZ, MARIA SOLIÑA (Student’s tutor)
BARREIRO GONZALEZ, MARIA SOLIÑA (Student’s tutor)
Creation of a media outlet in Galicia, specifically in the Pontevedra area: PonteConEstilo
Authorship
M.D.M.R.R.
Grado en Periodismo (3ªed)
M.D.M.R.R.
Grado en Periodismo (3ªed)
Defense date
02.11.2026 12:00
02.11.2026 12:00
Summary
The main purpose of this digital medium is to make fashion visible in Pontevedra, a city that, despite its rich cultural offer, lacks its own space where fashion is constantly talked about. Through the creation of visual and textual content on Instagram, PonteConEstilo intends to connect with a young and dynamic audience, who are looking for accessible, up-to-date fashion information adapted to their local reality. It also seeks to contact local designers, influencers, businesses and professionals in the sector who can provide an authentic and diverse vision of the trends that are marking the city, and offer a platform for these actors to share their work and promote fashion in Pontevedra. The project is also part of a broader reflection on cyber media and fashion journalism. Throughout this work, a literature review is carried out that addresses the evolution of fashion journalism, its challenges and opportunities in the digital context, and how new media, such as social networks, are changing the way fashion is consumed.
The main purpose of this digital medium is to make fashion visible in Pontevedra, a city that, despite its rich cultural offer, lacks its own space where fashion is constantly talked about. Through the creation of visual and textual content on Instagram, PonteConEstilo intends to connect with a young and dynamic audience, who are looking for accessible, up-to-date fashion information adapted to their local reality. It also seeks to contact local designers, influencers, businesses and professionals in the sector who can provide an authentic and diverse vision of the trends that are marking the city, and offer a platform for these actors to share their work and promote fashion in Pontevedra. The project is also part of a broader reflection on cyber media and fashion journalism. Throughout this work, a literature review is carried out that addresses the evolution of fashion journalism, its challenges and opportunities in the digital context, and how new media, such as social networks, are changing the way fashion is consumed.
Direction
Silva Rodríguez, Alba (Tutorships)
Silva Rodríguez, Alba (Tutorships)
Court
Silva Rodríguez, Alba (Student’s tutor)
Silva Rodríguez, Alba (Student’s tutor)
(Hu)mortis causa: legal and media analysis of humor with regard to freedom of expresión from a philosophical perspective.
Authorship
J.S.G.
Bachelor of Journalism
J.S.G.
Bachelor of Journalism
Defense date
02.04.2026 13:00
02.04.2026 13:00
Summary
This Trabajo de fin de grado analyses the Homo Velamine “Tour de La Manada” affair as a paradigmatic case within the contemporary debate on the limits of freedom of expression in Spain, especially in relation to humour, satire and irony. The main objective is to examine the media and legal treatment of the case, taking into account the philosophical and conceptual foundations underlying the difficulty of recognising irony as a legitimate form of public discourse. The research adopts a qualitative methodology based on the analysis of normative texts, judicial rulings and a sample of journalistic pieces published during the course of the case (2018-2025). The results identify media coverage marked by ethical malpractice, particularly in aspects related to truthfulness, the presumption of innocence, newsworthiness and the relationship with sources. Likewise, the consolidation of a relevant legal precedent in the application of Article 173.1 of the Criminal Code to freedom of expression is observed. In conclusion, the work highlights the difficulties that exist for the legal and media recognition of irony and humour as forms of discourse protected under the rule of law.
This Trabajo de fin de grado analyses the Homo Velamine “Tour de La Manada” affair as a paradigmatic case within the contemporary debate on the limits of freedom of expression in Spain, especially in relation to humour, satire and irony. The main objective is to examine the media and legal treatment of the case, taking into account the philosophical and conceptual foundations underlying the difficulty of recognising irony as a legitimate form of public discourse. The research adopts a qualitative methodology based on the analysis of normative texts, judicial rulings and a sample of journalistic pieces published during the course of the case (2018-2025). The results identify media coverage marked by ethical malpractice, particularly in aspects related to truthfulness, the presumption of innocence, newsworthiness and the relationship with sources. Likewise, the consolidation of a relevant legal precedent in the application of Article 173.1 of the Criminal Code to freedom of expression is observed. In conclusion, the work highlights the difficulties that exist for the legal and media recognition of irony and humour as forms of discourse protected under the rule of law.
Direction
AMMERMAN YEBRA, JULIA (Tutorships)
AMMERMAN YEBRA, JULIA (Tutorships)
Court
AMMERMAN YEBRA, JULIA (Student’s tutor)
AMMERMAN YEBRA, JULIA (Student’s tutor)
The influence of the media on the popular jury: The Asunta case (Operation Nenúfar)
Authorship
M.V.R.
Grado en Periodismo (3ªed)
M.V.R.
Grado en Periodismo (3ªed)
Defense date
02.02.2026 12:00
02.02.2026 12:00
Summary
This research analyzes the influence of the media on jury trials in Spain, focusing on the Asunta case (Operation Nenúfar). Based on a documentary presentation of communication theories, it studies how the media constructs narratives that can condition public opinion and generate parallel trials before the official trial. It also examines media coverage of the case to assess whether this exposure could have affected the jury's perception of impartiality. It also reviews the legal and ethical regulations governing journalism, along with the fundamental rights involved, such as the presumption of innocence, honor, and personal image. The results show that the sensationalization of the news and the emotional interpretation of the case contributed to the construction of a media narrative that could have influenced social opinion and strained the procedural guarantees of the judicial system.
This research analyzes the influence of the media on jury trials in Spain, focusing on the Asunta case (Operation Nenúfar). Based on a documentary presentation of communication theories, it studies how the media constructs narratives that can condition public opinion and generate parallel trials before the official trial. It also examines media coverage of the case to assess whether this exposure could have affected the jury's perception of impartiality. It also reviews the legal and ethical regulations governing journalism, along with the fundamental rights involved, such as the presumption of innocence, honor, and personal image. The results show that the sensationalization of the news and the emotional interpretation of the case contributed to the construction of a media narrative that could have influenced social opinion and strained the procedural guarantees of the judicial system.
Direction
AMMERMAN YEBRA, JULIA (Tutorships)
AMMERMAN YEBRA, JULIA (Tutorships)
Court
AMMERMAN YEBRA, JULIA (Student’s tutor)
AMMERMAN YEBRA, JULIA (Student’s tutor)